新生代力量登场！科纳艺术中心《深圳新生代艺术展二〇二六》8月22日启幕

近日，KennaXu 画廊旗下科纳艺术中心（KCCA）官宣重磅群展《深圳新生代艺术展二〇二六》，展览将于 8 月 22 日 15:00 正式开幕，展期持续至 9 月 22 日，落地深圳市龙岗区海大科技园 3 号楼首层，为湾区观众集中呈现深圳新一代青年艺术家的多元创作图景。

本次展览由知名批评家、独立策展人郭赟操刀策划，集结程相涵、大粒、范诗磊、胡婧璇、黄毓茗等 17 位扎根深圳、兼具海外求学背景的新生代创作者，覆盖 70 末至 00 后完整代际，是对当下深圳青年艺术生态一次完整、立体的学术梳理。参展艺术家履历多元，既有深耕抽象绘画、雕塑装置的成熟创作者，也有专注 AI 新媒体、数字影像、机械装置的实验先锋，作品媒介横跨油画、综合材料、交互装置、声音影像、智能媒介等，打破单一创作边界。

策展人郭赟表示，深圳历经数十年发展，艺术家群体已完成代际迭代。不同于老一辈聚焦城市发展、宏大社会叙事，本届参展的 80、90、00 后创作者，生长于高度城市化、全球化与技术快速迭代的时代，创作转向个体感知、数字生存、跨文化身份、空间哲学与未来想象，褪去功利化市场追逐，专注内在情感、碎片化日常与技术时代的精神思辨，形成独属于深圳的青年艺术语言。

展厅中，程相涵以弧线抽象描摹城市空间碎片；胡婧璇、张浚琪以 AI、智能硬件探讨人机关系；范诗磊、黄毓茗用装置重构空间与记忆；吕晓正独创 “手机绘画” 记录日常诗意；徐盟凯等 00 后创作者以荒诞视觉表达跨文化疏离感，多元视角共同勾勒这座创新城市的青年精神切面。

作为拥有三大空间、总面积超 1800㎡的本土专业艺术机构，KennaXu 画廊始终深耕青年艺术扶持。本次展览旨在搭建交流展示平台，倾听青年创作声音，见证深圳当代艺术全新生长力量。展览免费面向公众开放，市民可前往科纳艺术中心，沉浸式感受新生代艺术家笔下的城市、科技与自我。

深圳新生代艺术展二〇二六

Shenzhen Emerging Artists 2026

策展人：郭赟

Curator：Yun Guo

出品：科纳艺术中心

Producer：KCCA

开幕时间 Opening：

2026.08.22 15:00

展览时间 Duration：

2026.08.22-09.22

展览空间 Space：科纳艺术中心｜深圳市龙岗区海大科技园3号楼首层KCCA｜1/F, Building 3, Haida Science Park, Longgang District, Shenzhen

科纳艺术中心举办新生代艺术展，是为艺术家提供展示和交流的平台，听到青年艺术家的声音，看到他们的创作作品，展示他们的探索与实践，鼓励艺术家的创新走向未来！

艺术家

The Artist

程相涵 | Xianghan Cheng

程相涵（b.1994，中国）是一位现工作、生活于深圳的抽象艺术家，主要从事油画创作。他的创作建立于对城市空间的长期观察之上，通过行走、停留与记录，积累来自建筑、街道、墙面、植物、光线以及人与空间关系的视觉经验，并将这些碎片重新组织于绘画之中。覆盖、删减与叠加成为其重要的创作方式，使不同时间与空间在同一画面中共存。近年来，他逐渐以弧线作为核心视觉语言，结合层次、色块与线性结构探索绘画中的节奏与流动。

程相涵毕业于美国加州艺术学院（California College of the Arts）艺术硕士（MFA）及旧金山艺术大学（Academy of Art University）艺术学士（BFA）。曾获2023 Murphy & Cadogan Contemporary Art Award，并入围 Barclay Simpson Award。其作品曾于纽约、旧金山、北京、深圳、佛罗伦萨等地展出，并被私人收藏。

Xianghan Cheng (b. 1994, China) is an abstract artist based in Shenzhen, China, working primarily in oil painting. His practice is rooted in long-term observation of urban environments. Through walking, pausing, and recording, Cheng gathers visual experiences from architecture, streets, walls, vegetation, light, and the evolving relationship between people and space, transforming these fragments into layered compositions. Covering, subtraction, and accumulation serve as essential methods in his process, allowing different moments and spaces to coexist within a single painting. In recent years, curved forms have become a central element of his visual language, developed through the interplay of layers, fields of color, and linear structures.

Cheng received his MFA from the California College of the Arts and his BFA from the Academy of Art University in San Francisco. He is the recipient of the 2023 Murphy & Cadogan Contemporary Art Award and was a finalist for the Barclay Simpson Award. His works have been exhibited in New York, San Francisco, Beijing, Shenzhen, Florence, and other cities, and are held in private collections.

艺术家

The Artist

大粒 ｜Da Li

大粒现生活、工作于深圳，2013年开始从事架上绘画与视觉装置创作，并先后获得湖南大学艺术设计硕士学位及伦敦艺术大学艺术硕士学位。她的作品曾于伦敦、米兰、香港、北京、上海、深圳等地展出，并举办多次个人展览及重要群展，作品被多位资深藏家与艺术机构收藏。

大粒的创作围绕视觉图像、感知经验与生命体验之间的关系展开。她从抽象绘画出发，在不同阶段不断探索图像的生成、解构与重组，通过抽离、支解、回溯等方式构建具有循环性的视觉系统。对她而言，绘画并非单纯的图像呈现，而是一种持续生成的过程，在可见与不可见、存在与缺失、想象与现实之间寻找微妙的平衡。

Dali currently lives and works in Shenzhen. She began her artistic practice in painting and visual installation in 2013, and received her Master’s degree in Art Design from Hunan University and Master’s degree in Fine Art from the University of the Arts London. Her works have been exhibited in London, Milan, Hong Kong, Beijing, Shanghai, Shenzhen, and other cities. She has presented numerous solo exhibitions and participated in major group exhibitions, with works held in private and institutional collections.

Dali’s practice explores the connections between visual imagery, perception, and lived experience. Beginning with abstract painting, she continuously investigates the processes of image formation, deconstruction, and reconstruction through fragmentation, transformation, and repetition. For Dali, painting is not merely the creation of visual forms, but an ongoing process of becoming—an exploration of the subtle relationships between the visible and invisible, presence and absence, imagination and reality.

艺术家

The Artist

范诗磊 ｜Shilei Fan

范诗磊毕业于英国格拉斯哥艺术学院（Glasgow School of Art），现生活、工作于深圳。他的创作涵盖绘画、装置、声音、影像、机械装置及数字技术等多种媒介，持续关注城市空间、文化记忆、身份认同与观看机制之间的关系。成长于中国快速城市化的时代背景下，范诗磊将日常生活中被忽视的材料、建筑元素与公共符号重新组织，通过重复、复制、拼贴与空间重构，使熟悉的城市景观转化为介于现实与虚构之间的视觉场域，并引导观众重新思考个人经验、集体记忆与当代文化生产之间的联系。

受到霍克海默、阿多诺、福柯等思想家的影响，范诗磊将艺术视为一种持续生成的认知空间，而非固定的视觉对象。他的作品通过材料、身体与空间之间不断变化的关系，探索观看如何被建构与重新理解。其作品曾获英国苏格兰皇家学院 Chalmers-Jervise Prize、日本文化厅媒体艺术节评审委员会选择奖，并被英国驻重庆总领事馆、福建省美术馆、中国版画博物馆等机构及私人收藏。

Fan Shilei graduated from the Glasgow School of Art and currently lives and works in Shenzhen, China. Working across painting, installation, sound, moving image, kinetic sculpture, and digital technologies, his practice explores the relationships between urban space, cultural memory, identity, and systems of perception. Growing up during China’s rapid urban transformation, Fan reconfigures overlooked materials, architectural elements, and public symbols from everyday life through repetition, reconstruction, and spatial transformation, turning familiar urban fragments into visual environments between reality and fiction. His works invite viewers to reconsider the connections between personal experience, collective memory, and contemporary cultural production.

Influenced by thinkers including Max Horkheimer, Theodor W. Adorno, and Michel Foucault, Fan approaches art as an evolving space of cognition rather than a fixed visual object. Through the shifting relationships between materials, bodies, and spatial structures, his practice examines how perception is constructed and continuously reinterpreted. His works have received awards including the Chalmers-Jervise Prize from the Royal Scottish Academy and the Jury Selection Award at the 22nd Japan Media Arts Festival, and are held in the collections of institutions including the British Consulate-General Chongqing, Fujian Art Museum, China Printmaking Museum, and private collections.

艺术家

The Artist

胡婧璇 | Jingxuan Hu

胡婧璇是一位关注人工智能艺术与新媒体艺术的艺术家，毕业于英国中央圣马丁艺术学院（Central Saint Martins, CSM）纯艺术硕士及美国芝加哥艺术学院（School of the Art Institute of Chicago, SAIC）纯艺术学士。现任深圳技术大学创意设计学院副院长、副教授，新媒体艺术学科带头人，并担任中国美术学院特聘研究员。

她的创作聚焦人工智能、数字技术与艺术实践之间的关系，探索科技发展背景下图像生产、创作主体与人类感知方式的变化。通过新媒体媒介与实验性创作方法，胡婧璇持续思考技术如何参与艺术生成，以及人与智能系统之间不断演变的互动关系。其作品曾获大华银行年度绘画大赛新锐画家组最高奖项“年度最具潜力画家奖”、新加坡国际当代艺术奖 ArtGemini Prize 等，并被新加坡总领事尚达曼先生及多家机构、个人收藏。

Hu Jingxuan is an artist whose practice focuses on artificial intelligence art and new media art. She received her MFA from Central Saint Martins (CSM), University of the Arts London, and her BFA from the School of the Art Institute of Chicago (SAIC). She currently serves as Vice Dean and Associate Professor at the School of Creative Design, Shenzhen Technology University, where she leads the New Media Art discipline, and is also a specially appointed researcher at the China Academy of Art.

Her practice explores the relationship between artificial intelligence, digital technologies, and artistic creation, examining how emerging technologies reshape image production, authorship, and human perception. Through experimental approaches in new media, Hu investigates the evolving interactions between humans and intelligent systems, as well as the possibilities of artistic creation in the technological era. She has received awards including the Top Prize of the UOB Painting of the Year Emerging Artist Category and the ArtGemini Prize, and her works have been collected by institutions, private collectors, and Mr. Tharman Shanmugaratnam, President of Singapore.

艺术家

The Artist

黄毓茗 | Alexis Wong

黄毓茗出生于香港，现工作、生活于伦敦与深圳之间，主要从事雕塑与装置艺术创作。她的实践借鉴中国哲学中的“势”以及风水所蕴含的空间逻辑，探讨空间构成如何生成特定的倾向与条件。她将空间视为一个充满潜能的关系场域，关注物件、环境与文化结构之间不断变化的互动关系。在当代空间越来越受到效率、管理与视觉化逻辑塑造的背景下，黄毓茗通过可变的装置结构，重新思考空间经验背后的文化框架，以及观看、理解与分类机制的形成方式。

黄毓茗毕业于英国牛津大学拉斯金艺术学院（Ruskin School of Art, University of Oxford），获艺术学士一级学位。其作品曾于牛津、伦敦、巴黎、胡埃尔瓦及香港等地展出。2026年，其大型互动装置《Sunken Echoes》于香港Art Central“艺异”雕塑及装置项目中呈现；首次个展《Intervalles perméables》（Porous Pauses）于巴黎Looolook Gallery举办，由Caroline Arhuero策展，并将于迈阿密海滩Untitled Art特别项目中呈现装置作品。

Alexis Wong is a Hong Kong-born artist based between London and Shenzhen, working primarily with sculpture and installation. Drawing from the Chinese philosophical concept of shi and the spatial logic embedded in feng shui, her practice explores how spatial configurations generate tendencies, conditions, and possibilities. Rather than viewing space as something shaped through force or opposition, Wong approaches it as a relational field where potential emerges through arrangements between objects, environments, and cultural structures. Through mutable installations, she examines how spatial experiences are shaped by inherited cultural frameworks and systems of perception, questioning how ways of seeing and understanding are continuously constructed.

Wong received a First-Class BFA in Fine Arts from the Ruskin School of Art, University of Oxford. Her works have been exhibited in Oxford, London, Paris, Huelva, and Hong Kong. In 2026, her large-scale interactive installation Sunken Echoes was presented as part of the Yi Tai Sculpture & Installation Projects at Art Central, Hong Kong. Her first solo exhibition, Intervalles perméables (Porous Pauses), was presented at Looolook Gallery in Paris and curated by Caroline Arhuero. She will also present an installation as part of the Special Projects section at Untitled Art, Miami Beach.

艺术家

The Artist

李诗 | Shi Li

李诗（b.1990，中国）出生于广东湛江，现生活、工作于深圳。毕业于深圳大学艺术设计学院环境艺术设计专业。童年时期随家庭迁居深圳，在南头古城成长的经历，使她长期受到深圳本土文化与多元外来文化交融的影响，这种复杂而开放的城市经验也成为其艺术创作的重要来源。

李诗于2018年开始独立艺术创作，早期以具有个人特色的插画语言展开探索，并于2023—2024年逐渐完成艺术语言的转型，持续进入当代艺术领域。她的作品充满动态与情感张力，通过夸张的人体形态、碎片化的肢体、灵动的线条以及层叠的肌理，构建出介于现实与想象之间的视觉空间。她从“人与人之间的关系”出发，进一步探索关于个体存在的思考，在强烈的表现主义语言中呈现情感冲突、内心经验与生命状态。

Li Shi (b. 1990, China) was born in Zhanjiang, Guangdong, and currently lives and works in Shenzhen. She graduated from the School of Art and Design at Shenzhen University, majoring in Environmental Art Design. Growing up in Shenzhen, particularly in the historic area of Nantou Ancient Town, she was shaped by the coexistence of local traditions and diverse cultural influences brought by the city’s rapid development, which has become an important foundation of her artistic practice.

Li began her independent artistic practice in 2018, initially developing a distinctive language rooted in illustration before transitioning toward contemporary art between 2023 and 2024. Her works are characterized by dynamic compositions and emotional intensity. Through distorted human forms, fragmented bodies, expressive lines, and layered textures, she creates complex visual spaces between reality and imagination. Beginning with observations of human relationships, her practice gradually extends toward reflections on individual existence, presenting emotional conflicts, inner experiences, and states of being through a powerful expressionist approach.

艺术家

The Artist

骆太生 | Taisheng Luo

骆太生（b.1983，中国湖南）现生活、工作于深圳，毕业于西安美术学院。自2008年起持续进行个人艺术创作，长期关注绘画语言与个人经验之间的关系。他认为绘画并非对现实的说明，而是一种关于痕迹与存在的记录。其创作过程中，图像在确定与不确定、控制与失控之间不断生成，呈现出绘画行为本身所包含的偶然性、情绪性与精神性。

骆太生的作品以强烈的个人化视觉语言展开，通过具象元素、笔触痕迹与画面结构之间的关系，构建充满张力的视觉空间。他曾举办个展“遗失的图像”（深圳，2008）、“盲区”（空间画廊，北京，2009）、“香港宝马百年秀——骆太生个展”（香港，2016），并参与“绽湖发现”（深圳，2015）、“香港巴塞尔艺术展”（香港，2013）、“香港艺术博览会”（香港，2009）、“深圳青年艺术家邀请展”（深圳，2009）、“时间-城市”（深圳，2008）、“一条路——当代艺术展”（深圳，2007）等展览。

Luo Taisheng (b. 1983, Hunan, China) currently lives and works in Shenzhen. He graduated from Xi’an Academy of Fine Arts and has maintained an independent artistic practice since 2008. His practice focuses on the relationship between painting language and personal experience. For Luo, painting is not a means of explaining reality, but a trace of existence and an ongoing process in which images emerge between certainty and uncertainty, control and spontaneity.

Through a highly personal visual language, Luo explores the tension between figurative elements, painterly marks, and compositional structures, creating works that embody emotional intensity and spiritual resonance. He has presented solo exhibitions including Lost Images (Shenzhen, 2008), Blind Zone (Space Gallery, Beijing, 2009), and BMW Centenary Exhibition: Luo Taisheng Solo Exhibition (Hong Kong, 2016). He has also participated in exhibitions including Discovering Zhanhu (Shenzhen, 2015), Art Basel Hong Kong (Hong Kong, 2013), Hong Kong Art Fair (Hong Kong, 2009), Shenzhen Young Artists Invitational Exhibition (Shenzhen, 2009), Time-City (Shenzhen, 2008), and One Road: Contemporary Art Exhibition (Shenzhen, 2007).

艺术家

The Artist

吕晓正 | Xiaozheng Lü

吕晓正（b.1982，中国广东海丰）现生活、工作于深圳，2008年毕业于川音成都美术学院雕塑系。自2012年起，他开始以智能手机作为创作工具，将日常生活中的片段、场景与个人经验转化为绘画语言，逐渐形成独特的“手机绘画”实践。

吕晓正放弃传统绘画媒介，借助手机记录生活中的细微瞬间，并将手机影像、像素化图像与绘画结合，将普通的日常物象转化为具有诗意的视觉记录。他的作品如同一部持续书写的生活日记，不追求戏剧化叙事，而是在持续观察中捕捉当下的感受与经验，通过色彩、形态与图像转换，探索数字媒介时代人与日常世界之间的关系。

吕晓正曾举办个展“吕晓正个展”（A-7958画廊，台中，2016）、“已是此时”（Collective by PURE空间，上海，2016）、“We Need Money Not Art”（艺术深圳33空间，深圳，2017）、“全民健身路径”（BodyMemory空间，北京，2018）、“过家家”（物质生活空间，深圳，2019）等。

Lü Xiaozheng (b.1982, Haifeng, Guangdong, China) currently lives and works in Shenzhen. He graduated from the Sculpture Department of Sichuan Fine Arts Institute’s Chengdu Academy of Fine Arts in 2008. Since 2012, he has adopted smartphones as a creative medium, transforming fragments of everyday life, personal experiences, and ordinary scenes into painterly expressions, gradually developing his distinctive practice of “smartphone painting.”

Moving beyond traditional painting methods, Lü uses mobile devices to record subtle moments from daily life, combining digital images, pixel-based visuals, and painting techniques to transform familiar objects into poetic visual narratives. His works function like an ongoing visual diary, avoiding dramatic storytelling while capturing immediate experiences through continuous observation. Through the translation between digital imagery and painting, Lü explores the evolving relationship between individuals and everyday life in the digital age.

Lü has presented solo exhibitions including Lü Xiaozheng Solo Exhibition (A-7958 Gallery, Taichung, 2016), It Is Now (Collective by PURE Space, Shanghai, 2016), We Need Money Not Art (33 Space, Art Shenzhen, Shenzhen, 2017), National Fitness Path (BodyMemory Space, Beijing, 2018), and Playing House (Material Life Space, Shenzhen, 2019).

艺术家

The Artist

沈周来 | Zhoulai Shen

沈周来现生活、工作于深圳，是一位自由艺术工作者，主要从事架上绘画创作。他致力于探索绘画与多种材料之间的关系，通过解构、重组与非具象表达，将绘画的物质属性转化为精神经验的延伸。他关注绘画本体语言，并以自身经历与情感经验为基础，将个人感知转化为具有开放性的视觉表达。

在沈周来的创作中，绘画并非对具体对象的再现，而是一种关于观看、感知与表达的过程。他通过线条、结构与材料痕迹在画面中的运动，捕捉生命经验中的流动性，将自然、音乐以及自我认知等抽象感受转化为动态的绘画空间。在不断变化的笔触与形式之间，他探索瞬间感受、时间痕迹与绘画语言之间的关系。

Shen Zhou Lai is a free artist currently living and working in Shenzhen, primarily engaged in painting. His practice explores the relationship between painting and various materials, transforming the physical qualities of painting into extensions of spiritual experience through processes of deconstruction, reconstruction, and abstraction. Grounded in personal experiences and emotions, he focuses on the language of painting itself and develops an open-ended visual expression.

For Shen, painting is not a representation of specific subjects, but a process of perception and expression. Through the movement of lines, structures, and material traces, he transforms experiences of nature, music, and self-reflection into dynamic painterly spaces. His practice investigates the relationship between fleeting sensations, temporal traces, and the evolving language of painting.

艺术家

The Artist

孙澜赫 | Sun Lanhe

孙澜赫（b.1988，中国吉林）现工作、生活于深圳。2021年毕业于切尔西艺术学院（Chelsea College of Arts），获艺术硕士学位。他的创作围绕神话与历史中的人类经验展开，通过跨学科研究结合电影、装置、行为、绘画等多种媒介，建立具有开放性的艺术实践。他关注个体经验、集体记忆与文化叙事之间的关系，并通过多元媒介探索现实与想象、过去与当下之间不断流动的联系。

孙澜赫曾举办个展“超对象：陌生访客”（Click Ten Gallery，北京，2025）、“满洲动物”（三影堂摄影艺术中心3.0space，北京，2024）及“体育场”（三影堂厦门摄影艺术中心，厦门，2022）。其作品亦参与“临时性永恒——第六届深圳当代艺术双年展”（深圳会展中心，深圳，2025）、“视觉身份的再书写——第十一届深圳青年艺术周”（D+美术馆，深圳，2025）、“怪力青年”（Click Ten Gallery，北京，2024）、“远征阿尔戈”（伧束堂画廊，郑州，2023）、“London Grads Now. 21”（萨奇画廊，伦敦，2021）等展览。

Sun Lanhe (b.1988, Jilin, China) currently lives and works in Shenzhen. He received his MFA from Chelsea College of Arts in 2021. His practice explores human experiences within mythology and history through an interdisciplinary approach, working across film, installation, performance, and painting. By engaging with diverse media, Sun examines the relationships between individual experience, collective memory, and cultural narratives, creating connections between reality and imagination, as well as the past and the present.

Sun has presented solo projects including Super Object: Stranger Visitor (Click Ten Gallery, Beijing, 2025), Manchurian Animals (Three Shadows Photography Art Centre 3.0space, Beijing, 2024), and Stadium (Three Shadows Xiamen Photography Art Centre, Xiamen, 2022). His works have also been featured in exhibitions including Temporary Eternity: The 6th Shenzhen Contemporary Art Biennale (Shenzhen Convention & Exhibition Center, Shenzhen, 2025), Rewriting Visual Identity: The 11th Shenzhen Youth Art Week (D+ Museum, Shenzhen, 2025), Strange Power Youth (Click Ten Gallery, Beijing, 2024), The Argonaut Expedition (Cangshu Gallery, Zhengzhou, 2023), and London Grads Now. 21 (Saatchi Gallery, London, 2021).

艺术家

The Artist

姚明峰 | Mingfeng Yao

姚明峰（b.1988，中国黑龙江）现生活、工作于北京与深圳。硕士毕业于费城艺术大学（University of the Arts, Philadelphia）Studio Art专业，本科毕业于天津美术学院雕塑系。作为一名概念与视觉艺术家，他的创作基于对日常现象的持续观察与研究，通过细微而有意识的介入，将现实中的元素转化为抽象的视觉语言，探索个体感知经验如何转化为具有普遍性的视觉叙事。

姚明峰的创作方法以“截取”与“采样”为基础，从现实环境中搜集符号与图像，并通过绘画、摄影、装置等多种媒介进行重组与再演。他近期关注技术与感官、真实与伪造、地缘与景观之间的关系，探讨现实经验如何在当代语境中被建构、转译与重新呈现。

Yao Mingfeng (b.1988, Heilongjiang, China) currently lives and works between Beijing and Shenzhen. He received his Master’s degree in Studio Art from the University of the Arts, Philadelphia, and his Bachelor’s degree from the Sculpture Department of Tianjin Academy of Fine Arts. As a conceptual and visual artist, Yao’s practice is rooted in continuous observation and research of everyday phenomena. Through subtle and intentional interventions, he transforms elements from reality into abstract visual languages, exploring how individual perceptions can be translated into broader visual narratives.

Based on the methods of “extraction” and “sampling,” Yao collects symbols and images from everyday environments and reconstructs them through painting, photography, installation, and other media. His recent practice focuses on the relationships between technology and perception, reality and simulation, as well as geography and landscape, examining how lived experiences are constructed, transformed, and represented within contemporary contexts.

艺术家

The Artist

余雅文 | Yawen Yu

余雅文（b.1993，中国深圳）现生活、工作于深圳。2020年毕业于德国波恩阿兰努斯艺术学院（Alanus Hochschule）。她的创作涵盖综合材料绘画、装置与影像，通过抽象的方式提炼和重组日常经验中的物象，并以透明性材料作为装置创作的重要媒介。她通过复合材料的叠加、延展与转化，探索感性与理性、物质与精神、偶然与生成之间的复杂关系。

余雅文的作品关注观看方式与材料属性之间的互动，通过半透明结构、层叠关系以及空间介入，创造介于可见与不可见之间的视觉经验。她曾举办个展“生命剧本”（东莞鳒鱼洲文创园，东莞，2025）、“里物”（荒岛空间，深圳，2021），并参与“一切如常”（美成空间，深圳，2026）、“涌自大地，借景成身”（金鹰美术馆，南京，2026）、“行蛇口 Hang Se Hau”（海上世界文化艺术中心，深圳，2026）、“八月之光”（墨方，北京，2024）、“时间的分分——2023湾区当代艺术联展”（深圳，2023）、“Anberaum”（Künstlerforum，波恩，2019）等展览。

Yu Yawen (b.1993, Shenzhen, China) currently lives and works in Shenzhen. She graduated from Alanus Hochschule in Germany in 2020. Her practice encompasses mixed-media painting, installation, and moving image. Through abstraction and transformation, she extracts and reconstructs elements from everyday experiences, using transparent materials as a central medium in her installations. By layering, extending, and transforming composite materials, Yu explores the relationships between sensitivity and rationality, materiality and spirituality, as well as contingency and processes of becoming.

Yu’s works examine the interaction between modes of perception and material qualities, creating visual experiences between visibility and invisibility through translucent structures, layered surfaces, and spatial interventions. She has presented solo exhibitions including Life Script (Jianyu Zhou Cultural and Creative Park, Dongguan, 2025) and Things Within (Island Space, Shenzhen, 2021). Her works have also been featured in exhibitions including Everything as Usual (Meicheng Space, Shenzhen, 2026), From the Earth, Borrowing Scenery to Form the Self (Jinying Art Museum, Nanjing, 2026), Hang Se Hau (Sea World Culture and Arts Center, Shenzhen, 2026), Light of August (Mofang, Beijing, 2024), The Moments of Time — 2023 Greater Bay Area Contemporary Art Exhibition (Shenzhen, 2023), and Anberaum (Künstlerforum, Bonn, 2019).

艺术家

The Artist

张浚琪 | Junqi Zhang

张浚琪（b.2000，中国广州）现工作、生活于深圳，从事智能硬件研发工作。她本科及硕士毕业于广州美术学院实验艺术专业，并于2025年获得硕士学位。她的创作围绕技术系统的运行逻辑及其与不可靠性的关系展开，关注生产机制、图像生成技术如何重新组织现实经验，以及错误、幻觉与失效状态如何在技术系统中产生。其作品涵盖影像、装置及综合媒介。

张浚琪通过艺术实践探索技术介入日常生活后的感知变化，关注人与机器、现实与虚拟、生成与失控之间的复杂关系。她将技术过程中的偏差、漏洞与不确定性转化为创作语言，重新审视当代社会中图像生产与现实建构的方式。其作品曾参与“深圳城市/建筑双城双年展”（深圳，2026）、“光芒游踪：未来媒体艺术展”（苏州金鸡湖美术馆，2025）、“穿越本体——机器人艺术中国”（昊美术馆，上海，2025）、“未来人类科技——科学与艺术特展”（中国科学院合肥物质科学研究院等离子体物理研究所，2024）、“第二届THU&CAA灵源展”（清华大学建华楼X-Lab，北京，2024）等展览。

Zhang Junqi (b. 2000, Guangzhou, China) currently lives and works in Shenzhen, where she is also engaged in intelligent hardware research and development. She received both her Bachelor’s and Master’s degrees from the Experimental Art Department of Guangzhou Academy of Fine Arts, completing her MFA in 2025. Her practice investigates the operational logic of technological systems and their relationship with uncertainty, exploring how production mechanisms and image-generation technologies reshape lived experiences, and how errors, hallucinations, and failures emerge within technological processes. Her works encompass moving image, installation, and mixed media.

Through artistic practice, Zhang examines the transformations of perception brought by technological intervention, exploring the complex relationships between humans and machines, reality and virtuality, generation and failure. She transforms technological deviations, glitches, and uncertainties into artistic languages, questioning how images are produced and how realities are constructed in contemporary society. Her works have been presented in exhibitions including Shenzhen Biennale of Urbanism\Architecture (Shenzhen, 2026), Light Trace: Future Media Art Exhibition (Suzhou Jinji Lake Art Museum, 2025), Beyond Ontology: Robot Art China (HOW Art Museum, Shanghai, 2025), Future Humanity Technology: Science and Art Exhibition (Institute of Plasma Physics, Hefei Institutes of Physical Science, Chinese Academy of Sciences, 2024), and The 2nd THU&CAA Lingyuan Exhibition (X-Lab, Tsinghua University, Beijing, 2024).

艺术家

The Artist

周金华 | Jinghua Zhou

周金华（b.1978，中国四川德阳）现生活、工作于深圳。2002年毕业于四川美术学院油画系，曾长期生活、工作于北京，2019年至今定居深圳。其创作以绘画为主要媒介，关注人与社会、个体与群体之间的关系，通过人物与日常场景构建具有叙事性的视觉空间。

周金华的作品源于对现实生活的观察与思考，在具象描绘中融入对个体存在、社会关系与精神状态的探索，使日常经验转化为具有隐喻性的绘画语言。其作品曾获上海艺术博览会青年艺术家推荐奖、香港路易威登“杰出亚洲艺术奖”等，并被广东美术馆、德国曼海姆大学、印尼余德耀美术馆、澳大利亚白兔美术馆等机构收藏。

Zhou Jinhua (b.1978, Deyang, Sichuan, China) currently lives and works in Shenzhen. He graduated from the Oil Painting Department of Sichuan Fine Arts Institute in 2002 and was previously based in Beijing before moving to Shenzhen in 2019. Working primarily with painting, Zhou explores the relationships between individuals and society, as well as personal experiences and collective structures, constructing narrative spaces through figures and everyday scenes.

Rooted in observations of contemporary life, Zhou’s practice transforms ordinary experiences into metaphorical visual languages, reflecting on individual existence, social relationships, and psychological states. He has received awards including the Young Artist Recommendation Award at the Shanghai Art Fair and the Louis Vuitton “Asian Art Award.” His works are held in collections including Guangdong Museum of Art, Mannheim University, Yuz Museum Indonesia, and White Rabbit Gallery.

艺术家

The Artist

彭立彪 | Peng Libiao

彭立彪（b.1987，中国）现生活、工作于深圳。2009年毕业于西安美术学院雕塑系，致力于探索雕塑本体语言与材料观念的多重可能。他的创作关注物质形态、空间关系与观看经验之间的联系，通过对材料、结构及空间秩序的持续研究，拓展雕塑在当代语境中的表达方式。

近年来，彭立彪持续参与国内外重要展览，包括“并行世界——中德建交45周年当代艺术展”（德国，2017）、“第一届深圳当代艺术双年展”（深圳，2015）、“第五届深圳公共雕塑展”（深圳，2019）、“未知地带：思变——第四届深圳当代艺术双年展”（深圳，2021）、“城池—过去与未来的南方艺术聚落”（深圳南头古城，2024）、“月海”（万一空间，2024）、“目的地不明”（半日美术馆，汕头，2025）以及“对抗与消解——一个人的空间象征”（木星美术馆，2022）等。其作品持续探索雕塑与城市空间、个人经验及社会环境之间的互动关系。

Peng Libiao (b. 1987, China) currently lives and works in Shenzhen. He graduated from the Sculpture Department of Xi’an Academy of Fine Arts in 2009 and has been dedicated to exploring the possibilities of sculptural language and material concepts. His practice examines the relationships between material forms, spatial structures, and modes of perception, expanding the expressive possibilities of sculpture within contemporary contexts.

Peng has participated in numerous exhibitions, including Parallel Worlds: Contemporary Art Exhibition Celebrating the 45th Anniversary of China-Germany Diplomatic Relations (Germany, 2017), the First Shenzhen Contemporary Art Biennale (Shenzhen, 2015), the 5th Shenzhen Public Sculpture Exhibition (Shenzhen, 2019), Unknown Zone: Transformation—The 4th Shenzhen Contemporary Art Biennale (Shenzhen, 2021), City-Pool: Southern Art Community of the Past and Future (Nantou Ancient Town, Shenzhen, 2024), Moon Sea (Wanyi Space, 2024), Unknown Destination (Half Day Art Museum, Shantou, 2025), and Confrontation and Dissolution: Personal Spatial Symbolism (Jupiter Museum of Art, 2022). His works continue to explore the relationships between sculpture, urban space, personal experience, and social environments.

艺术家

The Artist

徐盟凯 | Mengkai Xu

徐盟凯（b.2004，中国）现居纽约与深圳，现就读于美国帕森斯设计学院（Parsons School of Design）。他的创作源于长期跨文化生活经验与个体在不同环境中的疏离感，通过重新组织日常熟悉的居室物件、人物形象与空间关系，打破现实中既定的秩序，将物象置于陌生而荒诞的场景之中，构建具有心理感知的视觉图景。

在徐盟凯的作品中，物品不再遵循原有的功能与归属，而成为承载情绪与精神状态的符号。他通过空间错置、形象重构以及非现实化的视觉关系，呈现现代人在复杂环境中的孤独体验与存在困境。其创作关注人与环境之间难以建立的深层连接，以及个体在多重文化体系与社会关系中的游移状态。

徐盟凯曾参与群展《坐标之外》（成都蓝顶美术馆，2026），并举办个展《叠合之境》（北京火山艺术空间，2026）。

Xu Mengkai (b. 2004, China) is currently based between New York and Shenzhen and studies at Parsons School of Design in the United States. His practice emerges from long-term cross-cultural experiences and reflections on individual alienation within different environments. By reorganizing familiar domestic objects, human figures, and spatial relationships, Xu disrupts established orders of reality and places everyday elements into unfamiliar and surreal contexts, creating psychologically charged visual landscapes.

In Xu’s works, objects move beyond their original functions and become symbols carrying emotional and psychological meanings. Through spatial displacement, reconstruction of imagery, and surreal visual arrangements, he explores experiences of loneliness, disconnection, and uncertainty in contemporary life. His practice reflects on the difficulty of establishing deep connections between individuals and their surroundings, as well as the fluid state of identity within multiple cultural and social systems.

Xu has participated in the group exhibition Beyond Coordinates (Lanting Art Museum, Chengdu, 2026) and presented his solo exhibition The Realm of Overlapping (Volcano Art Space, Beijing, 2026).

关于策展人

About The Curator

郭赟 | Yun Guo

郭赟，批评家、独立策展人。生于1984年，湖南郴州人。四川美术学院美术史专业毕业，曾任艺术国际网编辑部主任、长沙力美术馆执行馆长、深圳祥山艺术馆副馆长；2020年“第六届深圳青年艺术周”策展人，2021年“第四届大湾区生活艺术节”策展人，“湾区当代艺术联展”发起人及策展人，2023“AAC艺术中国”策展人，2025年首届“湾区当代双年展”策展人。现为独立策展人、中国美术批评家年会学术委员，工作生活于深圳。

Guo Yun is an art critic and independent curator. Born in 1984 in Chenzhou, Hunan, he graduated from Sichuan Fine Arts Institute with a degree in Art History. He previously served as Director of the Editorial Department at Artintern.net, Executive Director of Li Art Museum in Changsha, and Deputy Director of Xiangshan Art Museum in Shenzhen. He curated the 6th Shenzhen Youth Art Week in 2020 and the 4th Greater Bay Area Life Art Festival in 2021, and is the initiator and curator of the Greater Bay Area Contemporary Art Joint Exhibition. He also served as curator of AAC Art China in 2023 and the inaugural Greater Bay Area Contemporary Art Biennale in 2025. He currently works as an independent curator and serves as an academic committee member of the Annual Meeting of Chinese Art Critics. He lives and works in Shenzhen.

深圳“新生代”艺术家

文：郭赟

深圳的现代化历史已有近半个世纪，如果说肇端于改革开放的中国当代艺术是一场狂飙突进式的现代化剧变，那么深圳的进程甚至更短，发展速度也更超乎想象。当大家对深圳当代艺术的印象还停留在南方的世界工厂与中国制造的“淘金浪潮”时，深圳事实上已悄然完成了艺术家生态的代际更迭。

从最初由体制调任或下海驻深的50后、60后初代艺术家，到南下逐梦的70后、80后，再到“深二代”与新海归的90后和00后，三代艺术家群体的身份和观照艺术的方式有着本质变化。多数50后、60后和70后在城市的扩张时代和经济的黄金时代成功上岸，而80往后的群体迄今依然没有接管未来，尽管他们被认为是这个城市的未来。80后和90后以及早早出道的00后群体混杂了来一线城市寻梦的新一代科班出身的艺术家、海归的深二代，以及游走在欧美核心城市和深圳间的新生代国际游牧艺术家，他们往往以自由艺术家身份出现，对艺术和前沿文化有独立认知，与国际艺术界或多或少有交集，通常没有上一代艺术家那么野心勃勃，更没有热衷于角逐艺术市场的成功，他们更倾向于在自我的世界中寻找完成度——个人或者艺术上。这三个代际的艺术家有着明显的生存哲学与艺术理念的差异，实际上暗示了中国当代艺术走过的历程和未来的可能性走向。相较于50后、60后的历史性叙事，70后和80后转向了身体和社会叙事，而90后和00后则进一步向未来叙事或者去叙事性偏移，这或许就是阿瑟·丹托所说的后历史时期，但艺术和艺术史都没有走向终结，相反，艺术正在被重新定义，基于生活方式、科技发展和思想形态的巨大变化，新一代艺术家正在抛弃掉那些叙事性、语言逻辑或者形而上的观念，而仅仅只是某些感觉瞬间、情感碎片或者未来想象。当前，全球当代艺术正在重新解构其本体，在一种去中心化、平权化和技术迭代的浪潮中，深圳新一代艺术家正以自己的方式参与其中，或许，“深圳新生代”正在创造一角与众不同的舞台，他们的作品验证着未来涌动的力量。