展讯｜DNArt夏季群展「应试美学」“艺术伦理学”谐剧剧场

「应试美学」“艺术伦理学”谐剧剧场系列之一

Exam-Oriented Aesthetics——

"Art Ethics" Comedy Theatre Series, No. 1

出品人：刘三磊

策展人：雷徕

艺术家：Anusman、Ash Zing、曹文青、陈明强、狄思奇、高文谦、李光、伽让、谭天、田龙玉、文字自动生成主义小组、于艾君

展期：2026.08.22-2026.09.22

开幕：2026.08.23 16:00

主办：DNArt

地址：DNArt Space（北京市朝阳区798艺术区中二街D06-06）

Producer: Liu Sanlei

Curator: Lei Lai

Artists: Anusman, Ash Zing, Cao Wenqing, Chen Mingqiang, Di Siqi, Gao Wenqian, LIGGU, Jia Rang, Tan Tian, Tian Longyu, "Text Auto-Generationism" Curatorial Collective, Yu Aijun

Duration: 2026.08.22-2026.09.22

Opening: 2026.08.23 16:00

Organizer: DNArt

Address: DNArt Space, D06-06, 798 2st Main Street, 798 Art District, Chaoyang District, Beijing

前 言

雷徕

把从西方舶来的数学式系统思维，活活改造成做题家式的应试思维，是我们国情最大的特色。古老的系统化精神自带形而上理念，不至于下沉为技术式的工具理性。现在，请接受现实吧：做题家思维，是我们社会运作的最底层逻辑。

这就是这个展览的艺术理念的出发点——我们要在浸透应试精神的语境里喊出内在突破的口号：据说，能够打败套路的，唯有套路本身！本艺术项目，正是对此议题的一场策展实践与集体狂欢。基于高维价值理性的规范是正当的；但纯粹教条的规范先行，并沿着规范，算法做题式推衍出来的制品，本质上是反艺术的。

而项目之所以以概念艺术为主要内容，其根本原因正在于此形式类型本身，便倡导自反性与自我批判精神。因此，在生态语境里，唯有对概念艺术而言，狂野的反讽与自黑才不致损伤作品的“艺术”声誉；艺术家也因此可以没有负担地加入这个展览。

展览中的作品，共同指向一个核心的批判：既讽刺当下小镇做题家式的艺术主流状态，但反过来，也透过展示套路的不可避免性和正面建设意义，对艺术的“原创性”神话进行了讽刺。枪口两头打，真是太优秀了！

部分参展作品

SELECTED WORKS

Ash Zing，劳动带来自由 / Arbeit Macht Frei，行为影像，35分钟，2024

Ash Zing, Arbeit Macht Frei, Performance Video, 35', 2024

曹文青，谁是那个幸运儿？装置 / Installation，尺寸可变，2026（*草图版）

Cao Wenqing, Who is the lucky one?, Installation, Dimensions Variable, 2026 (*sketch version)

尤洋的 AI 替身使者 + 文字自动生成主义小组，798 主义者，AI 视频，时长：2分27秒 ，2026

You Yang's AI Avatar + Text Auto-Generativist Group, 798ist, AI video, 2'27", 2026

关于艺术家

ABOUT ARTISTS

Anusman

Anusman（王烁），漫画家，漫画理论学者。1984年出⽣于辽宁省，2007年本科毕业于清华美术学院版画系，2012年研究⽣毕业于法国昂古莱姆欧洲图像学院漫画专业，2017年于中央美术学院设计学院设计学专业获得博⼠学位。他近期个展包括：“核桃酥 — anusman的三年”，Tabula Rasa 三米画廊（北京，2025）；“胸噫”，Tabula Rasa 三米画廊（北京，2022）；”“市井 — anusman的⼀年”，Tabula Rasa 三米画廊（北京，2019）；“墨之乐”，WKLY（上海，2017）；“⽂画盲”，Tabula Rasa 三米画廊（北京，2017）。 anusman出版了数⼗本独⽴漫画书，其中包括2025年最新出版的《市井》、2023年出版的《神仙猫》、2022年出版的《⽆字漫画》、2019年出版的《门当弗对》，2017年出版的畅销作《⻔先⽣》，并在多个国内外知名杂志上设⽴专栏。他的作品被法国昂古莱姆漫画博物馆等多个海内外美术馆收藏。

anusman (Wang Shuo) is a cartoonist and comic theory scholar. Born in Liaoning Province in 1984, he earned his BFA in Printmaking from the Academy of Arts & Design, Tsinghua University in 2007, his MFA in Comics from the École Européenne Supérieure de l'Image in Angoulême, France in 2012, and his PhD in Design from the School of Design, Central Academy of Fine Arts (CAFA) in 2017. His recent solo exhibitions include: He Tao Su — anusman's Three Years, Tabula Rasa Gallery (Beijing, 2025); Xiong Yi, Tabula Rasa Gallery (Beijing, 2022); Market Street — anusman's One Year, Tabula Rasa Gallery (Beijing, 2019); Joy of Ink, WKLY (Shanghai, 2017); and Ignoramus, Tabula Rasa Gallery (Beijing, 2017). anusman has published dozens of comic books, including SHI JING (2025), Celestial Cat (2023), Wordless Comics (2022), Elsewhere (2019), and the bestseller Mr. Door (2017). He has also contributed regular columns to several renowned domestic and international magazines. His works are in the collections of several international art museums, including the Musée de la bande dessinée in Angoulême, France.

Ash Zing

Ash Zing 毕业于生物科学专业。以候鸟的方式工作生活在蒙特利尔和深圳上海等地。

Ash Zing 的作品指向着对媒介和材料内在机制的溯源，以简洁直接的综合媒介语言反复交织形成对主题的诉说和演绎。从而建立以“系统”为目的的整体。无论是 他的“思辨性绘画”，还是其具有否定性力量的装置和行为作品，他始终深深迷恋于一种内在的、递归的观念逻辑，在虚实、 有无的源始性概念之间来回波动。

近年来他的作品越来越多指向对暴力母题的溯源性探索，以历史和当下的各种图景，工具，行为或者宏观或者私密的角度以一种间接或者暧昧的形式达成呈现，作为对当下时代的回应。

Ash Zing graduated with a degree in Bioscience. Like a migratory bird, he works and lives across Montreal, Shenzhen, Shanghai, and other cities.

Ash Zing’s work traces back to the intrinsic mechanisms of media and materials. Through a concise and direct mixed-media language, he repeatedly interweaves statements and interpretations of his subjects, thereby constructing a holistic entity aimed at “system.” Whether through his “speculative paintings” or his installations and performances charged with a negating force, he remains deeply captivated by an internal, recursive logic of ideas, oscillating between the primordial concepts of the virtual and the real, presence and absence.

In recent years, his practice has increasingly turned toward a genealogical exploration of the theme of violence. Drawing on various historical and contemporary images, tools, and actions—from both macroscopic and intimate perspectives—he presents them in indirect or ambiguous forms, as a response to the present moment.

曹文青

Cao Wenqing

曹文青（b. 1999）的创作主要以特定场域实践、混合媒介装置与写作展开。目前生活和工作于北京与安特卫普。

她混合现实与虚构的边界，以象征性的占领和游击来回应当代性危机。在最近的创作中，她通过强行制造联结和奇迹来回应数字疲惫与离散性。

Wenqing Cao (b.1999, CN) is an artist working primarily in site-specific practice, mixed-media installation, and writing. She is currently based in Beijing and Antwerp.

She uses personal memory to mix reality and fiction. In her early works, she responded to contemporary emergencies through symbolic occupation and guerrilla tactics. In her most recent works, she forcibly produces connections and miracles to face digital fatigue and identity dispersion.

陈明强

Chen Mingqiang

福建建阳人。中央美术学院副教授，清华大学奥林匹克艺术研究中心研究员。艺术创作者。

其创作聚焦于现成品艺术、传统工艺的活化传承、传统艺术语言的当代转换、物的当代表述等课题，作品涉及装置、影像、现成品、雕塑、陶瓷与绘画等艺术形式，呈现较为多元的面貌。

Chen Mingqiang, Born in Jianyang, Fujian Province. Associate Professor at the Central Academy of Fine Arts, Researcher at the Olympic Art Research Center of Tsinghua University. Art practitioner.

His creative practice focuses on ready-made art, the revitalization of traditional craftsmanship, the contemporary transformation of traditional artistic language, and the contemporary expression of objects. His works encompass installation, video, readymades, sculpture, ceramics, and painting, presenting a multifaceted outlook.

狄思奇

Di Siqi

狄思奇，毕业于四川美术学院，艺术家、策展人、艺术评论人。

狄思奇近期的创作以地图与制图研究为基点，并延伸至地质学图像、天体全球化及跨媒介视觉实验。他通过解构历史文本与地理符号的叙事逻辑，将人类文明进程中虚构的景观介入全球化图景的多维框架中，以此构建时空交叠的认知拓扑结构，同时拓展地质层理与宇宙意象的感知边界。近期创作聚焦于天体全球化与地质图像的隐喻性关联，以虚构地名的拓扑转换、层叠映射及制图的方式，生成跨越物质性与观念性的新型认知图谱。

Di Siqi graduated from Sichuan Fine Arts Institute. He is an artist, curator, and art critic.

Di Siqi's recent creative work is grounded in map and cartography research, extending into geological imagery, celestial globalization, and cross-media visual experiments. By deconstructing the narrative logic of historical texts and geographic symbols, he intervenes in the multidimensional framework of globalization with fictional landscapes from the process of human civilization, thereby constructing a cognitive topology of overlapping time and space while expanding the perceptual boundaries of geological strata and cosmic imagery. His recent works focus on the metaphorical relationship between celestial globalization and geological images, generating new cognitive maps that transcend materiality and conceptuality through topological transformations of fictional place names, layered mapping, and cartographic methods.

高文谦

Gao Wenqian

生于山东，2013年毕业于中国美术学院版画系，2019年毕业于巴黎美术学院，现工作生活于北京。其创作涵盖交互装置、游戏、实验影像、互联网、声音等媒介，围绕媒介本体的“元叙事”展开，通过构建“模型”情境的方式展开思想实验，探索世界的矛盾与悖论。近几年的创作实践侧重于从自然界获取灵感，进行不同的生命-技术系统的模拟。

近期个展：

2025: “补间里的光”，泰康美术馆，北京；“荒原之歌”，武汉K11美术馆，武汉；“重定向”，inner flow 画廊，北京；2024 :“斯金纳箱与白日梦”，浙江美术馆，杭州；2022:“沙盘—支线剧情”，谢子龙影像馆，长沙。

群展：

2026 :“Animated Thrills and Chills”，安纳西国际动画节，安纳西，法国；2025: “后印刷——第四届CAA版画三年展”，中国美院美术馆，杭州；2024 :“Rencontre numérique du palais Tokyo”, 东京宫, 巴黎；“腹地脉动—生态密码”新疆双年展，新疆；成都摄影周，成都市美术馆，成都; 2023: 欧洲媒体艺术节，文件—电子语言国际艺术节等。

Gao Wenqian

Bron in ShanDong, China Education

2009-2013 Academy of fine art of China.

2015-2019 École national supérieur des beaux-arts de paris

His interdisciplinary practice encompasses interactive installation, video game, experimental animation, internet-based works, and sound. Engaging with the meta-narratives of media, he constructs model-based scenarios as forms of simulation, using them as thought experiments to probe the contradictions and paradoxes of the contemporary world. In recent years, his work has increasingly drawn inspiration from natural phenomena, developing simulations that explore the entanglement of biological and technological systems.

Recent solo exhibitions include:

• 2025: Song of the Wild, K11 Art Museum, Wuhan; Reorientation, Inner Flow Gallery, Beijing；The Light Emanating from Tweening，Taikang Art Museum， Beijing

• 2024: Skinner Box and Daydream, Zhejiang Art Museum, Hangzhou

• 2022: Sandbox—the side quest, Xie Zilong Photography Museum, Changsha

Group exhibitions include:

• 2026：“Animated Thrills and Chills”，The Annecy international Animation Film Festival，Annecy, France

• 2024: Rencontre Numérique du Palais de Tokyo, Palais de Tokyo, Paris; Pulse of the Hinterland—Ecological Cipher, Xinjiang Biennale; Chengdu Photo Week, Chengdu Museum of Contemporary Art

• 2023: 36th European Media Art Festival (EMAF), Osnabrueck, Germany；FILE - Electronic Language International Festival, Sao Paulo, Brazil

李光

LIGGU

李光（LIGGU）（b.1982），艺术家。出生于哈尔滨，现工作生活于北京。2004年毕业于清华大学美术学院，2016年赴佛罗里达大学、纽约大学访学，2017年获得北京电影学院博士学位。以上经历常被写进艺术家简介，以证明其作品值得继续阅读。

主要创作涉及舞台多媒体设计、影像装置、互动媒体、数字图像艺术以及艺术家书的出版与制作。近年来持续关注图像、文字、身体、技术、知识、商品，以及它们之间难以协商的关系。偶尔也关注报销截止日期。

近期展览包括：2026「巫性美学十句」北京画廊周A08；2026「日间不见星辰」（CLC画廊）；2025 AARK芬兰艺术驻地项目；2025「文字诗学」（751艺术区七木空间）；2024「艺术成书」分享会（abC）；2024「氧气」双人展（铃木食堂）；2023「归墟与维度——第六届美术文献展」（湖北美术馆）；2023「Mattress in the Living Room」（DE LICEIRAS 18，葡萄牙波尔图）；2023参演《安坐者是可爱的》（国家话剧院小剧场）；2023「ARTIST & BREAD」双人展（铃木食堂）；2022《目及处，彼方物》再生产（798作者画廊）；2022《同一条河流》（798美仑美术馆·圣之空间）；2022《时代浪潮中的不快捷方式》（树美术馆）；2022参演《日记帮助构成》（798歌德艺术中心）；2021 X ROOM个人项目（X MUSEUM）；2020影像装置《初榨特2》（Plate Space）；2019监控行为表演《初榨特》（Fruity Space，持续3小时）。

参与舞台剧项目包括：《PANDA SHOW》（概念设计、数字绘景，长期驻演于美国拉斯维加斯威尼斯人宫殿剧院）；《闽南传奇》（概念设计、数字绘景，世界首部360度超大型室内实景演艺秀）；《梦见狮子》（多媒体设计，上海大剧院）；《将进酒》（多媒体设计，第八届音乐剧学院奖最佳表演团队）；《夜幕下的哈尔滨》（多媒体设计，北京保利剧院）。

至今仍持续生产作品、提交材料、填写表格、更新简历，并定期把上一版艺术家简介修改成最新版艺术家简介。

LIGGU (b. 1982)

Artist. Born in Harbin; currently lives and works in Beijing. Graduated from the Academy of Arts & Design, Tsinghua University in 2004. In 2016, he was a visiting scholar at the University of Florida and New York University. Received his Ph.D. from the Beijing Film Academy in 2017. The above experiences are frequently cited in the artist's biography as evidence that his work merits continued attention.

His primary creative practice encompasses stage multimedia design, video installation, interactive media, digital image art, and the publication and production of artist books. In recent years, his focus has been on images, text, the body, technology, knowledge, commodities, and the intractable negotiations between them. Occasionally, he also pays attention to reimbursement deadlines.

Recent exhibitions include:

2026 Witchcraft Aesthetics: Ten Sentences, A08, Beijing Gallery Weekend; 2026 Not Seeing the Stars by Day, CLC Gallery Venture; 2025 AARK Finland Artist Residency; 2025 Textual Poetics, Qimu Space, 751 Art Zone; 2024 Art into Book Sharing Session, abC; 2024 Oxygen Two-Person Exhibition, Suzuki Kitchen; 2023 Return to Void and Dimension – The 6th Documentary Exhibition of Fine Arts, Hubei Museum of Art; 2023 Mattress in the Living Room, DE LICEIRAS 18, Porto, Portugal; 2023 Performer in The Sitters Are Lovely, National Theatre of China Studio Theatre; 2023 ARTIST & BREAD Two-Person Exhibition, Suzuki Kitchen; 2022 Reproduction of As Far as the Eye Can See, Things Over There, Author Gallery, 798; 2022 The Same River, Meilun Art Museum · Sheng Zhi Space, 798; 2022 Unshortcut in the Tide of the Times, Tree Art Museum; 2022 Performer in Diaries Help to Constitute, Goethe Center, 798; 2021 X ROOM Solo Project, X MUSEUM; 2020 Video Installation Extra Virgin 2, Plate Space; 2019 Surveillance Performance Extra Virgin, Fruity Space (duration: 3 hours).

Stage productions include:

PANDA SHOW (Concept Design, Digital Matte Painting; long-term resident show at The Venetian Palace Theatre, Las Vegas, USA); Legend of Minnan (Concept Design, Digital Matte Painting; world's first 360-degree ultra-large-scale indoor live spectacle); Dreaming of Lions (Multimedia Design, Shanghai Grand Theatre); Invitation to Wine (Multimedia Design; Best Performance Team at the 8th Musical Academy Awards); Harbin at Nightfall (Multimedia Design, Beijing Poly Theatre).

伽让

Jia Rang

伽让，2000年出生于四川泸州，2022年毕业于中央美术学院，围绕社会议题和个人经历进行创作。

Jia Rang, born in 2000 in Luzhou, Sichuan Province, graduated from the Central Academy of Fine Arts in 2022. Their creative practice revolves around social issues and personal experiences.

谭天

Tan Tian

谭天，1988年出生于中国北京。2012年毕业于伦敦金斯顿大学自由艺术专业，2019年毕业于纽约亨特学院自由艺术专业，现就职于中央美术学院实验艺术系。

谭天希望通过他的作品，让观众可以看到一件事物中他们期待的部分、忽略的部分与回避的部分同时发生着。他希望通过这种展示可以让观众尝试着去容忍和理解任意一件事情的复杂性，多面性和未知性。除了自己的创作之外，他还担任着一个高校教师的工作。在课堂中他不断尝试着让学生从更多的角度去看任意一个问题，并尽力阻止他们的表态。他希望他的学生可以一直保持这种状态存在于每一个他们所需要有态度的事情当中去，然后鼓励他们去欣赏同样拥有这样素质的人，尝试培养起这些人之间的默契，建立他们相互交流的平台。

谭天近期个展包括：“实验艺术三年级大战谭天”，元典美术馆，北京（2024）；“我不会唱英文歌”，蔡锦空间，北京（2024）；“越老越爱咱爸妈”，盘子空间，北京（2024）；“希曼在宜家午睡”，马刺画廊，北京，中国（2023）；“（广告牌，宣言，笑话）”，马刺画廊，北京，中国（2022）；“欢迎光临”，空白空间，北京，中国（2016）；“第二个个展”，空白空间，北京，中国（2015）。近期群展包括：“第十四届全国美术作品展览”，中华艺术宫，上海（2024）；“一颗种子的旅行·元点”，银川当代美术馆，银川（2024）；“当下”，Artecal Foundation，香港（2024）；“跬步｜元典美术馆（武清）三年展”，元典美术馆，天津，中国（2023）；“通明”，南京艺术学院美术馆，南京，中国（2022）；“手感”，陶溪川美术馆，景德镇，中国（2021）；“重构”，温州年代美术馆，温州，中国（2020）；“艺述：85后的八五”，全国农业展览馆，北京，中国（2019）；“Optimism”，EFA Project Space，纽约，美国（2018）；“全球定位”，乔空间，上海，中国（2017）；“抵抗的涌现”，泰康空间，北京，中国（2016）；“为未来而创造：想象不可想象之事”，柏林MOMENTUM艺术中心，柏林，德国（2015）。谭天现在生活和工作在北京。

Tan Tian (b. 1988, Beijing, China) received his BFA from Kingston University in London in 2012, his MFA from Hunter College in New York in 2019, and is now working at the Central Academy of Fine Arts in Beijing.

Through his works, Tan Tian hopes the viewers can see the parts of things they expect, the parts they ignore, and the parts they tend to avoid all at the same time. He hopes this will push the viewers to stand and understand the complex, multi-faceted, and unknown nature of any one thing. In addition to his creative work, he also works as a college teacher. In the classroom, he constantly tries to get his students to look at any given issue from various perspectives and does his best to stop them from taking a stand. He hopes his students will remain in this state of being in every situation where they need to have an attitude. He also encourages them to appreciate people with the same qualities, to develop a tacit understanding in between, and to build a platform for them to communicate with each other.

Tan Tian’s recent solo exhibitions include “Junior Students in Experimental Art vs Tan Tian,” Yuan Art Museum, Beijing (2024); “I Will Not Sing English Songs,” Cai Jin Space, Beijing (2024); “Parent-hood,” PLATESPACE, Beijing (2024); “C-Man Nap in IKEA,” SPURS Gallery, Beijing, China (2023); “(Billboard, Manifesto, Joke),” SPURS Gallery, Beijing, China (2022); “Welcome,” WHITE SPACE BEIJING, Beijing, China (2016); “Jump to Second Solo Show,” WHITE SPACE BEIJING, Beijing, China (2015). Recent group exhibitions include “The 14th National Exhibition of Fine Art,” China Art Museum, Shanghai (2024); “The Journey of A seed — Meta Point,” MOCA Yinchuan, Yinchuan (2024); “The Present,” Artecal Foundation, Hong Kong (2024); “Tiny Steps,” Yuan Art Museum Triennial, Yuan Art Museum, Tianjin, China (2023); “When All at Once I Turn My Head, I Find Her There Where Lantern Light is Brightly Shed,” Art Museum of Nanjing University of the Arts, Nanjing, China (2022); “Handmade,” Taoxichuan Art museum of CAFA, Jingdezhen, China (2021); “Reconstruction,” Epoch Art Museum, Wenzhou, China (2020); “Story: Born After the ‘85 New Wave Generation Y of Contemporary Chinese Art,” National Agricultural Exhibtion Center, Beijing, China (2019); “Optimism,” EFA Project Space, New York, US (2018); “I Do (Not) Want to Be Part of Your Celebration,” QIAO SPACE, Shanghai, China (2017); “Toward The Emergence of Resistance,” Taikangspace, Beijing, China (2016); “Creating for the Future: Thinking About the Unthinkable,” MOMENTUM Berlin, Berlin, Germany (2015). Tan Tian lives and works in Beijing.

田龙玉

Tian Longyu

1981年出生于中国山东

2007年毕业于天津美术学院

现居北京

个展：

2023年 “光逆”--田龙玉个展，昊美术馆，上海

2022年 “用引致忧伤的东西来治疗忧伤” 田龙玉个展 林大艺术中心 北京

2017年 “天际”——田龙玉个展 K PROJECTS，北京

群展：

2025年 “乌合不羁者” 白兔美术馆，悉尼

“Becoming” 岩美术馆， 石家庄

2024年 “交织之地” 瑀空间，上海

“靠虚无得解脱” DNArt Space,北京

2019年 第四届今日文献展“缝合” 今日美术馆，北京

“构建一切可能——第十三届哈瓦那双年展” 哈瓦那大剧院起源画廊， 哈瓦那

2018年 “第三届王式廓奖-青年艺术家提名展” 今日美术馆， 北京

“另一种选择” 罗马国立现代及当代艺术美术馆， 罗马

2016年 “第三届今日文献展” 今日美术馆，北京

2013年 “感应器” 元典美术馆，北京

“感应器2” 中捷美术馆，北京

2012年 “生物——生态”中荷当代艺术展， 宋庄美术馆，北京

TIAN LONGYU

1981 born in Shan Dong ，China

2007 graduated from Tian Jin Academy of Fine Arts

Present Lives and works in Beijing, China

SOLO EXHIBITIONS:

2023 “BACKLIGHTING”-Tian Longyu Solo Exhibition, HOW ART MUSEUM, Shanghai

2022 “Healing Grief with Burning Sadness”, Tian Longyu Solo Exhibition, Linda Gallery, Beijing

2017 "Horizon"—Longyu Tian Individual Exhibition, K-PROJECTS , Beijing

SELECTED GROUP EXHIBITIONS:

2025 “The Hooligans” White Rabbit Gallery, Sydney

“Becoming” Yan Art Museum,Shijiazhuang

2024 “PERPLEXA” ASTRA ART,Shanghai

“Finding Relief in Nothingness” DNArt Space,Beijing

2019 The 4th Today’s Documents“A Stitch in time” Today Art Museum, Beijing

"Re-Thinking Future-La Construccion de Lo Posible-13th Havana Biennale" Galeria Origenes, EI Gran Teatro de la Havana

2018 "The Third Session—Tam Exhibition of Nominated Chinese Contemporary Young Artists", Today Art Museum, Beijing

"The Jumble of Growth", Galleria Nazionale" D' arte Moderna,

Rome

2016 The 3rd Today’s Documents, Today Art Museum, Beijing

2013 Sensor, Yuan Dian Art Museum,Beijing

Sensor Ⅱ, Zhong Jie Art Museum, Beijing

2012 Living - Being, China -Dutch Contemporary Art Exhibition, Song Zhuang Art Center, Beijing

文字自动生成主义策展小组
“Text Auto-Generationism” Curatorial Collective

文字自动生成主义小组（后简称“自动小组”）成立于2024年，旨在以开放性的姿态拥抱算法时代的到了，通过职业策展人与人工智能的互动和干预，训练出一套专业的艺术策展语言体系，并利用人工智能和自然语言生成（NLG）技术，根据展览方诉求自动生成策展文本。整个过程以人工智能为主导完成自动写作，策展人身份将在展览中完全消失，且不参与展览相关的任何活动。自动小组的成立旨在打破策展人单一知识体系的限制，通过程序、算法或随机机制创造出全新的文本形式。其目的在于挑战传统的以文学/美学/哲学为根基的策展概念，探讨大模型搜索与策展人训练在策展文生成关系中的共生作用，开启一种全新的策展与文本生成模式。

我们诚邀全球范围内的策展人、艺术家、学者以及画廊机构共同参与这次前所未有的实验，探讨文字自动生成技术对策展叙事、艺术文本和文化解读的深远影响。这不仅是一次关于技术与艺术交汇的探索，更是一次重新审视策展实践中人类创意与AI边界的对话。无论是有展览诉求的各方平台，还是致力于创新的思想实践者，我们期待与您携手，共同推动策展事业在AI时代的可能性。

于艾君

Yu Aijun

于艾君，2004年毕业于鲁迅美术学院油画系。目前居住工作于沈阳。

他认为所有个体创造都是时代综合运动景观的一个显像末端，自由即受制，自我即他者。多年来，他一直关注并以具有强烈平权意识的实践回应当前时代中个人与集体在诸多领域富有幽默、矛盾和互为表演属性的问题，展现其结构冲突及关系图景。他调度形象、材料、经验与去蔽化的感知，试图复现“经验被质疑的时刻”，并借此展开政治评述与媒介想象。

虽然多使用绘画媒介及方式，但于艾君试图“以绘画还治绘画”，迫使它在逻辑自洽而非一般意义的消费关系中存在下去。而这也正是他的工作快感和行动动力。

Yu Aijun graduated from the Oil Painting Department of Lu Xun Academy of Fine Arts in 2004. He currently lives and works in Shenyang.

He believes that all individual creation is a manifestation of the comprehensive landscape of the times, where freedom is constraint, and the self is the other. For many years, he has focused on and responded to the humorous, contradictory, and mutually performative issues between individuals and collectives in various fields in the present era through practices with a strong sense of egalitarianism, showcasing their structural conflicts and relational landscapes. He orchestrates images, materials, experiences, and unmasked perceptions, attempting to recreate "the moment when experience is questioned," and thereby unfolding political commentary and media imagination.

Although he primarily uses painting as a medium and method, Yu Aijun attempts to "fight painting with painting," forcing it to exist within a logically consistent rather than a consumerist relationship. This is precisely his work's pleasure and driving force.