Longlati | 新收藏委员会公布

Longlati收藏委员会由长期生活与工作于上海的策展人金佐宁、建筑师梁琛、艺术家鲁钰与策展人夏天共同组织，旨在持续耕耘上海本地艺术生态，并以跨学科视角推动收藏、研究与年轻艺术家创作之间的互动。本期委员会以上海为主要现场，定期考察上海地区画廊、美术馆、机构及替代空间的当期展览，重点关注生活在上海，或与上海持续发生联系的年轻艺术家，尤其支持在装置、影像及其相关媒介中展开持续探索的创作者。
委员会将围绕艺术家的作品脉络、问题意识、媒介方法与创作延续性展开研究，通过原作观看、工作室访问、艺术家访谈及成员讨论，形成阶段性收藏方案。除作品购藏外，委员会也希望在艺术家的创作过程中提供更具体的支持：一方面，协助其推进材料使用、技术方案、工艺实现与空间呈现；另一方面，通过研究、讨论与文本工作，帮助艺术家将个人经验放置在更开阔的在地文化与现实语境中加以深化。成员各自提案、互相评估，并在充分讨论后共同决定进入Longlati经纬艺术中心收藏的作品。

The Longlati Collection Committee is jointly organized byGwendoline Cho-ning Kam, Liang Chen, Lu Yu and Ben Xia Tian, all long based in Shanghai. The Committee aims to cultivate Shanghai’s local art community and, through an interdisciplinary perspective, to foster interaction among collecting, research, and the practices of young artists. Taking Shanghai as its primary site, the Committee will regularly visit exhibitions at galleries, museums, institutions, and alternative spaces across the city. It will focus on young artists residing in Shanghai or maintaining an enduring connection to the city, with particular attention to practitioners working consistently in installation, moving image, and related media.
The Committee will research each artist’s practice, examining the trajectory of their work, critical concerns, engagement with media, and consistency in their artistic development. Through viewing works in person, studio visits, artist interviews, and internal discussions among members, the Committee will formulate phased collection proposals. Beyond the acquisition of works, the Committee also hopes to provide more concrete support within the artist’s creative process: on the one hand, assisting with the use of materials, technical solutions, craft realization, and spatial presentation; on the other hand, helping artists, through research, discussion, and textual work, to situate their personal experiences within a broader local cultural and contemporary context. Members will each make proposals, evaluate one another’s recommendations, and, after thorough discussion, collectively decide which works will enter the collection of Longlati.

左：娜布其，《空间外的风景 No. 5》，2015年，不锈钢烤漆，220 × 156 × 18厘米；中：梁远苇，《2017.29》，2023年，亚麻布上油画，250 × 200厘米；右：胡晓媛，《Carpel III》，2025年，大理石、紫檀木、绡（生丝）、墨、钢丝、铁丝、线，116.5 × 230 × 62厘米 L: Nabuqi, A View Beyond Space No. 5, 2015, coloured stainless steel, 220 × 156 × 18 cm；M: Yuanwei Liang, 2017.29, 2023, oil on linen, 250 × 200 cm；R: Xiaoyuan Hu, Carpel III, 2025, marble, rosewood, Xiao (raw silk), ink, steel wire, iron wire, thread, 116.5 × 230 × 62 cm



Longlati收藏委员（A-Z）

金佐宁

策展人 艺术家 音乐人类学者

1986年生于中国香港，毕业于香港中文大学音乐系，主修钢琴；后于美国夏威夷大学研究院修习音乐人类学（Ethnomusicology）。其当代艺术实践以”噪音” 为核心命题，致力于打通学术话语与社会现场的边界，从时空、材质等维度揭示声音的公共性，探索声音如何参与文化身份的想象、建构与操演。

作为策展人，曾入围 2021 OCAT 研究中心 “研究型展览计划” 与 2023 集美・阿尔勒 “影像策展人奖” 终评。2022 年为德英基金会首届策展学者，出版论文《错过的约会 —— 重返声音的扩展场域》；2023–2024 年获选为 “燃冉” 驻留艺术家。文章与展评多见于《信睿周报》、Brooklyn Rail、ARTnews（中文版）等。

Gwendoline Cho-ning Kam (b. Hong Kong, 1986) is a curator, artist and ethnomusicologist. She received her Bachelor of Arts in Music from The Chinese University of Hong Kong and pursued further studies in ethnomusicology at the University of Hawaii at Manoā. Kam’s work revolves around how multi-sensory interactions in auditory narratives affect people’s everyday experiences, perceptions, and expressions of thingness. In her contemporary art practices, Kam uses " noise " as both a self-referential concept and a creative theme, continually seeking to bridge the gap between academic discourse and cultural societies. By exploring dimensions of time, space, and material, Kam reveals the publicness of sound and scrutinizes how the medium is manipulated to imagine, shape, define, and perform cultural identities.

As a curator, Kam was shortlisted for the OCAT Institute’s “Research-Based Curatorial Project” (2021) and the JIMEI x ARLES Curatorial Award for Photography and Moving Image (2023). In 2022, she became one of the inaugural curatorial fellows of the De Ying Foundation and published her research paper “The Missed Rendezvous: Returning to the Expanded Field of Sound”. In 2023, she was selected for the XINTIANDI × UCCA “RanRan” Artists-in-Residence Program. Her writings and exhibition critiques have been published in The Thinker, Brooklyn Rail, and ARTnews (China), etc.

梁琛

建筑师 艺术家

1987年生于辽宁丹东，2011年毕业于吉林建筑工程学院，获建筑学学士。2011-2015年工作于直向建筑，任理事；作为项目建筑师完成阿那亚三联海边图书馆（“孤独图书馆”）。2017年开始独立建筑与艺术实践，成立工作室阿莱夫时空研究所（www.aleph-liangchen.com），建筑代表作品：众方纪，Innerflow Gallery；曾在A4美术馆，外交公寓12号举办个展；曾在上海OCAT策划展览《空间规训》；山中天艺术中心策划展览《从安东到丹东：鸭绿江上的木筏、断桥与过客》，金鹰美术馆策划展览《作为中心的边缘：作为中心的边缘：东北亚的界河、桥梁与记忆空间》；鸭绿江美术馆策划展览《无尽的注释》。

梁琛试图通过建筑和艺术的研究型实践来探讨一个悖论的可能：有限范围内的无限性，将边界空间作为研究主体，尝试以建筑学与基础设施为根基的跨学科实践。以持续近十年的关于家乡边境城市丹东的空间研究作为深度基础参照与出发点，串联起一系列有关地质断裂带、界河、海岸线、明长城、清末柳条边与东边道、以及安奉铁路等更为广阔的边界定义与空间视野。通过近些年在机构策划的多次展览研究实践，尝试讨论中心与边缘关系的全新定义。边境不只是版图上相对中心地区的交通末端，而是与对岸一起形成更为紧密的整体中心；边境不只是旅行者眼中如 “世界尽头”一般的奇观， 而是不断孕育文化交流与融合的混杂日常景观；边境不只是地图上的一条几何界线，而是以此为轴线，辐射两岸的绵延且连续的有厚度的整体边境空间，将全球边境与边界空间视作为一个整体。

Liang Chen was born in Dandong, Liaoning, China, in 1987. He graduated with a Bachelor of Architecture from Jilin Jianzhu University. From 2011 to 2015, he worked as an associate and senior project architect at Vector Architects, where he completed projects including the Aranya Seashore Library. In 2017, Liang established his independent architecture and art studio, Aleph-Liangchen (www.aleph-liangchen.com). His representative architectural projects include Singer House and Innerflow Gallery. His solo exhibitions include 1976/2020, DRC No. 12, Beijing (2020), and Liang Chen: Aleph, A4 Art Museum, Chengdu (2019). As a curator, Liang's curatorial projects include Space Discipline, OCAT Shanghai, Shanghai (2020); From Antung to Dandong, Wind H Art Center, Beijing (2022); Edges as the Center, G Museum, Nanjing (2023); and Endless Annotation, Yalu River Art Museum, Dandong (2023–present).

Liang Chen explores the possibility of paradox through his research-based practice in architecture and art, particularly the idea of infinity within the finite. He takes boundary spaces as the subject of his study and engages in interdisciplinary practices grounded in architecture and infrastructure. Drawing on nearly a decade of spatial research into his hometown of Dandong, a border city, as both a foundation and point of departure, he has connected a series of broader definitions of boundaries and spatial perspectives, including geological fault lines, boundary rivers, coastlines, the Ming Great Wall, the willow-bordered areas of the late Qing dynasty, the Eastern Road, and the Anfeng Railway. Through exhibitions and research practices over the past several years, he has sought to explore new definitions of the relationship between centre and periphery. The border is not merely a transport endpoint situated at the relative centre of a map, but a closer and more integrated centre formed in relation to the opposite shore. It is not merely a spectacle resembling the “end of the world” as perceived by travellers, but a hybrid, everyday landscape that facilitates cultural exchange and integration. Nor is it simply a geometric line on a map, but an axis from which a vast, continuous, and layered border space extends on both sides. This space, therefore, should be observed and studied as a whole: a global border space.

鲁钰

艺术家

鲁钰，1997年出生于四川成都，现创作与生活于上海，2019年毕业于普瑞特学院 Pratt Institute。

鲁钰在创作中借用医学文化的思考方式剖析社会症结，通过综合材料的运用将“异常”转化为可感的具象化视觉表达。鲁钰获选为Longlati经纬艺术中心2025至2026年度驻留艺术家。

Lu Yu, born in Chengdu, Sichuan in 1997, currently works and resides in Shanghai. In 2019, she graduated from Pratt Institute with a Bachelor of Fine Arts (BFA) degree.

In her practice, Lu Yu adopts the analytical approach of medical science to dissect social ailments, employing mixed media to translate the "abnormality" into tangible visual expressions. She has been selected as the Longlati resident artist for 2025–2026.

夏天

策展人

夏天，哲学博士、策展人、写作者，现任教于东华大学。其研究与实践横跨策展、写作与教学，长期关注艺术与设计的观念史，以及中国当代艺术在生产、传播与展示过程中的机制、条件及其历史脉络。

Ben Xia Tian is a PhD in Philosophy, curator, and writer, currently teaching at Donghua University in Shanghai. His research and practice span curating, writing, and teaching, with a sustained focus on the intellectual history of art and design, as well as the mechanisms, conditions, and historical trajectories of production, mediation, and display in contemporary Chinese art.

Longlati

每周二至周六上午11:00时至下午6:00时

Tuesday–Saturday 11:00–18:00

地址 Address

上海市静安区文安路30号四层

4/F, 30 Wen’an Road,

Jing’an District, Shanghai